courtney barnett — illuminate

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illuminate

exhibitions and projects

philly's freedom

udhr quilts | exhibition

canberra enlighten festival

fine arts | arizona state fair

anonymous club (courtney barnett)

dear mr. president

article 23 | udhr quilts

article 26 | udhr quilts

a-bomb | sydney sprague

knife in the coffee

virgin mary, become a feminist!

ain't afraid (long live jessi zazu)

digital jacquards

fomo | sydney sprague

patches and early works

courtney barnett

care through craft: art + care ethics

this echo chamber is freezing

galvanizing aesthetics

illuminate

exhibitions and projects

philly's freedom

udhr quilts | exhibition

canberra enlighten festival

fine arts | arizona state fair

anonymous club (courtney barnett)

dear mr. president

article 23 | udhr quilts

article 26 | udhr quilts

a-bomb | sydney sprague

knife in the coffee

virgin mary, become a feminist!

ain't afraid (long live jessi zazu)

digital jacquards

fomo | sydney sprague

patches and early works

courtney barnett

care through craft: art + care ethics

this echo chamber is freezing

galvanizing aesthetics

Folder: illuminate

Folder: exhibitions and projects

philly's freedom

udhr quilts | exhibition

canberra enlighten festival

fine arts | arizona state fair

Folder: udhr quilts

Folder: embroidery

anonymous club (courtney barnett)

dear mr. president

article 23 | udhr quilts

article 26 | udhr quilts

a-bomb | sydney sprague

knife in the coffee

virgin mary, become a feminist!

ain't afraid (long live jessi zazu)

digital jacquards

fomo | sydney sprague

patches and early works

Folder: illustration

courtney barnett

Folder: written

care through craft: art + care ethics

this echo chamber is freezing

galvanizing aesthetics

courtney barnett, 2019-2020 above: original illustration, ink and prismacolor | below: digital rendition, illustrator — courtney barnett, 2019-2020
above: original illustration, ink and prismacolor | below: digital rendition, illustrator

illuminate | steph dunlap

© stephanie dunlap, 2020 — 2023.

I acknowledge the O’odham nations (the living descendents of the Hohokam people) as the rightful owners of the land on which I live and work. I pay my respects to the original caretakers of this land and to their descendants past, present, and emerging.